Vic Muniz, a famous Brazilian artist, goes from the shining world of New York skyscrapers to a stinking world of the biggest junkyard of the world Jardim-Gramasho, which was created in the vicinity of Rio de Janeiro. He wants to use it as an artistic theme and display people who connected their lives with it. However, it turns out that the world of the junkyard is as bright and powerful as the one Muniz lived in. A mutual penetration of both of these worlds occur and the truth appears as a result – it is better to wish for a lot without having anything, than to have everything and wish for nothing…