Charlie Burns, a cool producer whose creative crisis is taking a long time, get his nephew’s first script for reading. The uncle can’t find a moment to commit suicide, not talking about reading scripts. But despite his expectations, the script captivates him and he understands that it can be interesting and it can save him. Moreover, in an amazing “asylum” of Hollywood filmmaking there is much more adrenaline than in a suicidal act – the process is more fascinating and the perspectives are more attractive. Charlie decides to keep living, especially with the company which is gathered for that.